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Monday, February 3, 2025

‘Jane Austen Wrecked My Life’: Review

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Dir/scr: Laura Piani. France. 2024. 94mins

Although no zombies are concerned, the concurrently ribbon-bowed and mud-splattered French characteristic Jane Austen Wrecked My Life nonetheless needs to pay homage to the titular writer whereas additionally making an attempt to do one thing extra Twenty first-century with the largely acquainted materials. Author-director Laura Piani has set herself a formidable problem for her debut characteristic, as this requires the characters to be each old style romantics and feminist-realists, providing escapism but in addition a actuality verify. The ensuing gymnastic break up is often somewhat uncomfortable, but in addition charming in an instantaneous, earthy method. There’s clearly a marketplace for this sort of romantic comedy-drama, which not too long ago bought to SPC for a number of territories together with US prematurely of its Tiff debut.

Camille Rutherford is totally comfortable within the lead position

Agathe (Camille Rutherford) works on the well-known Shakespeare & Co bookshop in Paris, although she secretly hopes to someday publish her personal novel. She’s not into courting apps, that are too fashionable and chilly, and prefers to imagine that she’ll merely run into the person of her desires in actual life. Her cute colleague, Felix (Pablo Pauly), isn’t that principled — or is it delusional? — and sleeps round, although he additionally spends a suspicious period of time at Agathe’s cramped residence. 

Issues kick into excessive gear when Agathe, after a lot prodding from Felix, accepts an unlikely author’s residency in England organised by the property of Jane Austen. Right here, she is given the chance to work on a brand new novel she has simply began — and which may be the primary she ever finishes. By no means thoughts that the thought for it got here to her at a virtually empty Chinese language restaurant, when a unadorned man on the backside of her cup out of the blue sprang to life on the finish of a boozy meal (cue the purple lights and violin music harking back to In The Temper For Love). 

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Even this early on, it’s clear that Piani is somebody who likes to play with references, whether or not cinematic or literary. It additionally quickly emerges that the fabric’s tone is maybe greatest described as barely overcooked kookiness. The explanation it nonetheless largely works is as a result of the actors play it straight, with Rutherford displaying a way of directness that compensates for the often wobbly tonal shifts. The few situations of slapstick, nevertheless, are all the time extra awkward than hilarious.

Total, the primary hour zips by due to its fashionable really feel and breezy comedic notes, however the narrative’s closing third feels too reined in. The late shift into extra literal Austen-inspired materials ends in a extra sombre tone and a slowed-down tempo, though it doesn’t assist Piani plumb the required depths of the characters’ emotions to actually persuade as a romantic drama. Many of the latter materials hinges on the clearly dashing Oliver (Charlie Anson, Downton Abbey), who’s in fact not solely the precise great-great-great-great-nephew of Jane Austen but in addition a rival for Agathe’s affection when Felix decides to point out up, as he should, for a shock go to to see the place their deep friendship might really go. 

The selection between the 2 males isn’t the screenplay’s most convincing component, and there’s little sense of Agathe’s interior turmoil over her choices. That is no less than partly as a result of there’s no monetary necessity to marry in our day and age – if Agathe’s novel isn’t successful she might simply return to incomes cash on the bookshop. Due to oversights equivalent to these, the entire story feels extra like a jocular riff on Austen relatively than a totally thought-through modern replace of it. Jane Austen Wrecked My Life has the nation homes and fancy balls — all performed successfully on a funds — however not the boiling interior turmoil that makes individuals return to Austen repeatedly.

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Rutherford has performed lead roles earlier than in smaller movies however has largely been relegated to supporting roles in main French fare equivalent to Blue Is The Warmest Color and Anatomy Of A Fall. This position might present her with extra publicity in each the French and English-speaking markets, as she’s fully comfortable in each languages (her mom is French however her father is a Brit). It’s largely due to her that audiences will stick with Agathe till the tip. 

Manufacturing firms: Les Movies du Veyrier, Sciapode

Worldwide gross sales: The Bureau, gross sales@lebureaufilms.com

Producer: Gabrielle Dumon

Cinematography: Pierre Mazoyer

Manufacturing design: Agnes Sery

Modifying: Floriane Allier

Music: Peter von Poehl

Fundamental solid: Camille Rutherford, Pablo Pauly, Charlie Anson, Annabelle Lengronne

 

 

 

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