‘Paddington In Peru’: Review

Dir. Dougal Wilson. UK/France 2024. 105mins.

As marmalade-sandwich motion pictures go, Paddington In Peru is completely palatable however one thing of a thin-shred grocery store variant, reasonably than the chunky, chewy artisanal delights that have been Paddington (2014) and the even higher Paddington 2 (2017). Taking Michael Bond’s inquisitive ursine hero out of London and again to his jungle roots, it is a brisk journey romp boasting a status forged together with Olivia Colman and Antonio Banderas, and lavish manufacturing values – notably breathtaking Colombian and Peruvian areas, together with UNESCO World Heritage web site Macchu Picchu.

 The least hanging of the collection to date

Shiny as it’s, the movie – directed by Dougal Wilson, taking up from Paul King – is neither fairly as winsome not as parent-pleasingly refined because it units out to be. It falls in need of each the wit and the canny all-audiences attraction of the earlier episodes, which grossed over $317m and $283m worldwide respectively. Even so, Paddington in Peru will unfailingly tickle household audiences together with smaller kids – hair-raising thrills and ‘gentle peril’ however – when it opens within the UK on November 8, with a wider worldwide rollout within the New Yr. 

Together with one thing of an origin story for its furry hero (voiced as ever by Ben Whishaw), the movie begins with a prequel exhibiting him as a cub in Peru, out to seize a juicy orange, solely to take a deadly tumble by means of foliage and down river – and rescued by his adoptive Aunt Lucy (voiced by Imelda Staunton). Years later, again in London, his loving hosts Mr and Mrs Brown (Hugh Bonneville and Emily Mortimer, the latter taking up from Sally Hawkins) anticipate an empty nest as their kids Judy (Madeleine Harris) and Jonathan (Samuel Joslin) become old. However a letter from the nun (Olivia Colman) who runs Peru’s Residence for Retired Bears sounds an alarm about Lucy – so the Brown household, together with housekeeper Mrs Chicken (Julie Walters) cross the Atlantic to see what’s up. 

There ensues a journey up the Amazon, accompanied by rakish riverboat captain Hunter Cabot (Antonio Banderas). What follows ticks off the acquainted equipment of South American journey – rope bridges, rickety planes, mysterious inscriptions, a misplaced temple. A large rolling rock is a nudge at Indiana Jones, and Banderas’s arrival on his boat, blasting out classics on a classic gramophone, carries echoes of Fitzcarraldo – however typically the movie performs its laughs straight reasonably than for cinephile winks.

Early on, we be taught that Mr Brown’s insurance coverage agency has been taken over by an American firm, and the motto is now ’Embrace threat’. That’s the blueprint for a movie that’s brasher and extra thrill-oriented than its predecessors – however it additionally suggests a hard-nosed company method that dilutes the collection’ allure. The place earlier director Paul King favoured a glance of manifest toybox-style illusionism, new helmer Dougal Wilson – an promoting and music-video veteran – takes a much less flip, extra impersonal blockbuster method. The script is by Mark Burton, a long-time Aardman hand, and Jon Foster and James Lamont, the duo behind TV’s Whishaw-voiced animation collection The Adventures of Paddington (with King and his collaborator Simon Farnaby listed within the story credit score). The narrative performs the twists and turns of the search to purposeful impact, however with few actual surprises. 

It’s a pleasure to see and listen to the returning regulars; the perfectly-synched match between Whishaw’s candid supply and the CGI bear’s facial expressions continues to be the collection’ unifying thread. Nevertheless, because the Browns’ now adolescent progeny, Madeleine Harris and Samuel Joslin are under-used, as is Mortimer’s appealingly level-headed Mrs Brown – though one misses Sally Hawkins’ spiky eccentricity within the position. 

There should absolutely be Olivia Colman followers on the market who’ve all the time dreamed of seeing her as a guitar-playing nun, and so they received’t be disenchanted by her mischievous channeling of the Julie Andrews archetype, gamely meting out grins. Antonio Banderas, nevertheless, is grossly indulged as a swaggering, sinister however bumbling trickster haunted by his gold-hungry ancestors, together with a deranged conquistador. He brings extra bluster than grace to the position(s) – and significantly, reasonably than a Spanish star, couldn’t the manufacturing have risked a significant Latin American title because the villain (e.g. Ricardo Darin or Alfredo Castro)? 

With a quick coda that’s notably cheekier than all that precedes it, Paddington in Peru just about delivers what the poster guarantees. Older kids will admire the brisker tempo and peril, so the general technique could also be a sensible business transfer – however that is the least hanging of the collection to date. And given the earlier episodes’ emphasis on cultural range, the movie reveals valuable little curiosity within the tradition or the inhabitants of its chosen setting – aside from a quick shot of Paddington posing with indigenous kids.