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Documentaries
‘From Ground Zero’: Review
Dirs. Reema Mahmoud, Muhammad al-Sharif et al. Palestine/France/Qatar/Jordan 2024. 113mins
A 21-film anthology on on a regular basis life below bombing in Gaza, From Floor Zero presents a vivid vary...
‘The Sinking Of The Lisbon Maru’: Review
Dir. Fang Li. China. 2024. 122mins
In September 1942, a complete of 1,816 Allied prisoners of battle had been aboard the Japanese cargo ship Lisbon...
‘About A Hero’: IDFA Review
Dir: Piotr Winiewicz. Denmark/Germany/US. 2024. 84mins
“A pc won't make a movie nearly as good as mine in 4,500 years.” This quote from Werner Herzog...
‘The Shepherd And The Bear’: IDFA Review
Dir: Max Keegan. France/UK/USA. 2024. 101mins.
Rewilding could also be a topic of curiosity for metropolis dwellers and greenwash politicians, however individuals who stay and...
‘The Propagandist’: IDFA Review
Dir: Luuk Bouwman. Netherlands. 2024. 112mins
Within the early Forties, pioneering Dutch movie director Jan Teunissen grew to become an enthusiastic producer of propaganda materials...
‘The Shadow Scholars’: IDFA Review
Dir/scr: Eloise King. UK. 2024. 98mins
The World south sweatshops that feed the World north’s voracious urge for food for garments have already attracted multiple...
‘Writing Hawa’: IDFA Review
Dir: Najiba Noori. France/Netherlands/Qatar/Afghanistan. 2024. 84mins
Afghani mother-of-six Hawa is 53 years outdated, and he or she has made the choice that now could be...
Sudan-Egyptian doc ‘Dry Sky’ awarded best pitch at IDFA Forum
Sudan-Egypt challenge Dry Sky, produced and directed by Ibrahim Omar, has received the IDFA Discussion board award for finest pitch, together with a €1,500...
Sudan-Egyptian doc ‘Dry Sky’ wins best pitch at IDFA Forum
Sudan-Egypt challenge Dry Sky, produced and directed by Ibrahim Omar, has gained the IDFA Discussion board award for greatest pitch, together with a €1,500...
‘The Wolves Always Come At Night’: London Review
Dir. Gabrielle Brady. Australia/Mongolia/Germany. 2024. 96 minutes
What's a herder with out his animals? This query of identification permeates Gabrielle Brady’s docudrama The Wolves At...